Designing for Presence

Author:Nathan Arclay
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About the Story

In a near-future city that curates atmospheres, an affect engineer risks a public weave splice to create a temporary 'listening aperture' for an estranged child. Through deft, manual calibration and on-the-spot repairs amid festival noise and neighborhood absurdities, the engineer must choose craft over coercion to open a real chance for connection.

Chapters

1.Calibration1–10
2.Field Trials11–18
3.Tuning the Aperture19–28
affect engineering
ethical sci-fi
near-future
family reconciliation
craft and technology
urban culture

Story Insight

In a near‑future city where designers tune the atmospheres of daily life, Soren Hale makes a living arranging the invisible — the cadence of conversation, the microscopic pauses that let people hear one another, the light and breath cues that shape a room’s temper. The story opens with a professional commission and a private sting: Soren’s seventeen years as an affect engineer have taught them to treat human behavior like a system to be adjusted, but a terse message from their estranged child, Tess, forces a personal reckoning. When a short‑term municipal festival opens the neighborhood’s communal mesh — a public bridge into private arrays — Soren sees a practical way to use craft rather than rhetoric. The premise stays intimate: it’s not a war against a monolithic corporation or an epic battle of ideologies, but a precise ethical choice about whether a skilled technician should use technical expertise to invite a reconnection with someone they love. The narrative explores subtle questions about consent, agency, and the moral life of tools. The profession itself functions as metaphor: the work of tuning rooms reflects the temptation to tune people. The plot centers on small, tactile operations — soldering a phase coupler, routing a pacing bulb, laying in redundant safety loops — and on live interventions that require steadiness and experience. Supporting figures are drawn with economy but clarity: Jonah, a junior collaborator, provides comic relief and improvisational energy; Harper, a neighbor and critic of over‑engineered feeling, keeps Soren honest; Ilan and Mara, a client couple, give the protagonist a rehearsal of what engineered ease can look like. The worldbuilding layers plausible, everyday texture into the speculative elements: street vendors selling candied moonfruit, cafés with “textless hour,” children folding paper radios, a philodendron that claps in comic misfires. Those details are not window‑dressing; they ground the moral debate in ordinary life and show how technology fits (and sometimes collides) with communal rituals. Readers will find a quiet, hands‑on type of suspense: the climax is resolved by a technical, physical action rather than an intellectual revelation. Soren’s decision to splice a temporary “listening aperture” into the municipal weave requires live, manual skill — sealing a hairline fracture, damping an accidental applause carrier, and rerouting oscillators that threaten to convert attention into spectacle. The payoff comes from craft and restraint: an engineer working under pressure, choosing procedural care over theatrical persuasion, and learning to design an invitation rather than a manipulation. Tone and pacing favor intimacy and modest stakes; humor lightens ethical tension through small absurdities and human mistakes, while dialogue reveals relationships through how people speak to one another, not through long interior monologues. This three‑chapter piece will appeal to readers who enjoy near‑future realism, quiet moral complexity, and depictions of skilled labor as ethical practice. It balances technical specificity with domestic warmth, offering an emotionally resonant arc from solitude toward a tenuous but tangible connection, without promising tidy resolutions. The story treats technology as a field of responsibility: tools can create openings, but they cannot replace the messy work of choosing to be present. For anyone interested in plausible speculative settings where the stakes are personal and the decisive acts are made with hands, patience, and professional know‑how, this tale provides a focused, thoughtful reading experience.

Read the First Page

Page 1
Chapter One

Calibration

Soren bent over the seam in the living wall like a surgeon who had learned to prefer the smell of solder to the scent of other people. The maintenance hatch clicked under their palm and the field conduits unfolded in a tidy fan of polymer and copper. Morning light here meant a muted silver drizzle across the tramlines, not the full sun that used to matter; the drizzle made the city's glass ribs glitter like fish scales. Soren worked by touch—fingers finding the warm flexion of the breath-synch gland, palms pressing the cadence filament into a snug channel. They tightened a micro-coupler with a single smooth twist and the apartment sighed as the room's base tone adjusted by a half-step.

A tiny voice piped up from the counter, preprogrammed sarcasm that Soren had never bothered to re-tune. "You wound me too tight, Hale. Consider my feelings a little—I'm only a kettle."

Soren glanced at the kettle and, despite themselves, smirked. "You'll live. Just stop trying to be dramatic."

The kettle burred as if offended and provided a polite hiss of steam. The joke was small, domestic; the kind of levity that kept tired technicians from turning their hands into instruments of theatrics. When they slid the breath sensors into place they did so with the kind of care reserved for glassware and sleeping houses. The array hummed; low, patient. Soren tested the line rhythms with a fingertip, watching the little LEDs ripple in carefully measured staccato. A neighbor below opened a street-side stall—the scent of saffron-cloud pastries wafted up like a trade wind, unrelated and perfectly ordinary in a city that curated feelings like a gardener prunes roses.

They had been an affect engineer for seventeen years, and the work had a vocabulary of tools: phase couplers, pacing bulbs, reflex dampers. Clients treated those words like the names of miracle medicines. Soren treated them like a set of rules and a set of instruments. Fix the cadence and you could nudge an argument away from fists; attenuate the hiatus and you could invite someone to listen five seconds longer. Their job was not to conjure emotions out of thin air but to arrange the room so that people might choose differently from the reflexive defaults they carried like old wallpaper. It was craft with ethics, and most days the ethics were an exercise in compromise.

There was a commission on their slate today—high-profile, two-person paired field for clients named Ilan and Mara—and Soren felt the familiar small flare of professional focus. They calibrated a test pulse, smoothing the edges until the audible environment felt like a room where people forgot to check their watches. The kettle emitted another dry remark about the velocity of change, and Soren laughed aloud. The laugh came out thinner than they wanted but it vibrated through the tunings in a way that mattered: the apartment recognized the sound and made itself softer in reply. Practical, surgical, tidy. They packed tools into a worn case, the leather scuffed where their thumb nursed a nervous habit. The city hummed with small otherness—tram music that favored plucked strings today, vendors arranging glass jars of candied moonfruit—and none of it had anything to do with the case in Soren's hands. It existed for the comfort of people who liked to know worlds ran on autopilot.

Before they left they checked the private feed. A single new message blinked from Tess: LEAVING SUNDAY.

Soren's fingers froze on the latch. The word sat in the corner of the screen like a small, accusing sun. They could replay it, weigh it, draft a dozen replies and discard them. Instead they closed the feed and shouldered the case, moving outward with the kind of controlled gait learned in years of carrying other people's atmospheres.

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Frequently Asked Questions about Designing for Presence

1

What is the listening aperture and what role does it play in the story ?

A temporary, time‑limited field Soren configures to lower reflexive spikes and widen breath windows, enabling more honest speech. It’s implemented by a live splice into the municipal mesh and drives the plot's ethical tests.

Soren Hale is an experienced affect engineer who manually tunes atmospheres. Their technical skill and professional ethics function as both metaphor and practical means for attempting reconciliation with their estranged child.

The story focuses on intimate, moral choices. Tension comes from deciding whether to use expertise to invite connection or to risk manipulating someone’s feelings, rather than fighting a large institution.

The sixty‑seven minute communal mesh window provides a narrow, public opportunity for a live splice. It adds urgency and technical risk, forcing Soren to act precisely amid festival noise and unexpected interference.

The climax is action‑based: Soren performs hands‑on interventions—sealing fractures, damping cross‑talk, rerouting carriers—so their professional craft, not an epiphany, enables the story’s turning point.

The narrative probes consent, agency and restraint, asking when tools should invite choice versus when they risk replacing responsibility. It examines how craft can facilitate presence without coercion.

Ratings

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Maya Thompson
Recommended
Jan 11, 2026

I was hooked from the very first image of Soren leaning over the living wall—there's a physicality to the writing that made the tech feel lived-in, not just clever. The prose balances tender domestic detail (the kettle's preprogrammed sarcasm made me laugh out loud) with precise gadget porn—the breath-synch gland and that single smooth twist of the micro-coupler felt satisfyingly real. The plot's premise—risking a public weave splice to open a temporary listening aperture for an estranged child—carries real emotional weight, and the story earns it. I loved how the city’s curated atmospheres (saffron pastries wafting up amid engineered moods) become more than background: they complicate Soren’s choice to use craft instead of coercion. Moments like Soren testing the line rhythms or doing on-the-spot repairs in festival noise are small, tense, human scenes that build toward the reconciliation without melodrama. Stylistically, the author trusts sensory detail and restraint, which makes the ethical questions land harder. This is sci-fi that feels intimate and humane—smart, warm, and quietly gripping. Can't wait to read more 🙂