Supernatural29 pages40 min read

Fixing the Places Between Us

2,492
5.86/ 10

Overview

Evie Park, a solitary plumber, leads a ragged group of neighbors to perform a dangerous manual reseat of an ancient balancing valve under the city's streets. The chapter follows the tense choreography of pumps, clamps, torches, and timing; the climax depends on Evie's skill and physical precision. Humor and everyday details—market buns, Sogs polishing wrenches, peppermint-scented hand cream—pepper the night as a neighborhood stitches itself back together through shared labor.

Chapters

1.A Complaint on Fifth1–10
2.Under the Streets11–18
3.The Great Bypass19–29
Supernatural
Urban Fantasy
Community
Tradecraft
Absurdist Humor
Repair Cooperative

Begin Reading

Page 1
Chapter One

A Complaint on Fifth

Evie Park had learned to trust the world the way she trusted cast iron—by its weight, the way it kept its side of any bargain. She hauled her bag up the narrow stairwell of Mrs. Baird’s building and felt the familiar give of the warped wooden steps under her boots, the small click of the brass mail slot that had been stuck since 1998. It was the sort of building that held habits like treasures: curtains that never quite matched, a radiator that purred in the right key, a cat that considered men’s shoes personal property. On the corner outside, a vendor with a battered tray sold spiral buns sticky with anise and citrus, which were not for the pipes but for people who measured time by pastry. Today the air smelled like those buns and the city’s usual drizzle—what locals called silver rain—mist fine enough to make street lamps bloom.

Mrs. Baird's front door was open before Evie reached for her key. The old woman stood in the little foyer with a tea towel pinned to her chest like a royal sash. “It’s humming,” she said without preface, as if humming were something one announced at a party.

“Everything home?” Evie asked, already dropping her bag and extricating a crescent wrench with that smooth move she underused in company.

“The sink sings,” Mrs. Baird said, and then laughed, which was mostly a cough. “It hums at people who don’t write back.”

Inside, the humming was personal and warm, like a stove with an opinion. Steam pushovered from the basin in little apology curls. A puddle on the tile—one of the Sogs, as Evie would later think of them though she wouldn't use the name aloud—had folded a stray sock into a tidy triangle and placed it on the windowsill. The bathtub, affronted, burst into a clipped, slightly off-key verse of an '80s pop song and refused to be drained until the tempo improved.

Evie set down her roll of tape and pulled on gloves. She crouched and listened, one hand on her knee and one on the pipes, testing for vibration, for the honest mechanical thrum that meant pressure or failing flange. Her fingers found heat where there shouldn't have been, a gentle warmth like someone's palm left on a cup. She thumbed her pressure gauge out of habit, watched the needle flicker in a way that did not line up with the building’s age or the municipal log she carried in her head.

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Notes on the Text

Fixing the Places Between Us is a supernatural urban tale about work, isolation, and the strange ways a neighborhood can begin to heal. The story follows Evie Park, a skilled but guarded plumber who knows pipes, valves, pressure, and failure better than she knows how to let people in. Her life is built around practical routines and measured fixes, until a call to an ordinary apartment reveals something far less ordinary: water that hums with intention, a bathtub that refuses to behave, and small puddles that seem to have opinions of their own. What starts as a routine repair becomes a deeper investigation into the city’s underground plumbing system, where something uncanny is gathering at the intersections of ordinary life. The supernatural here is not framed as grand or distant; it is domestic, tactile, and oddly familiar, rising out of basements, sink drains, and shared walls. That makes the atmosphere feel intimate rather than abstract, and it gives the story a very specific kind of tension: the sense that the hidden life of a city has been waiting just below the surface all along. What gives the story its real force is the way it connects supernatural mystery to human responsibility. Evie is not an archivist of secrets or a chosen figure in a cosmic conflict; she is a tradeswoman whose expertise matters in concrete, immediate ways. Plumbing is not just her job but the story’s central metaphor. Pipes carry water the way communities carry care, friction, neglect, and dependence. When those channels clog, the problem is not only mechanical. It becomes social. A blocked line can mean isolation, and a risky repair can mean opening a neighborhood back up to contact, inconvenience, and mutual reliance. That tension shapes the whole narrative, especially as Evie is forced to decide whether to take the safe route or attempt a more difficult fix that requires improvisation, cooperation, and a willingness to be seen. The story avoids easy answers and sentimental shortcuts. It treats repair as labor, not magic. Progress comes through planning, tools, timing, and the physical strain of doing difficult work well. That realism makes the supernatural elements feel more vivid, not less. The emotional arc moves from guarded solitude toward connection, and the supporting cast helps give that shift texture. Raf, who works with sound and mechanical repair, brings humor, irreverence, and a useful ear for the uncanny. Mrs. Baird offers tea, blunt observations, and the steady warmth of someone who knows a building and its people better than any official report. Samir and the neighbors turn out to matter as much as any instrument, because the story makes a strong case that no meaningful repair happens in isolation. There is also a welcome streak of absurd humor throughout: sentient puddles with tiny habits, a singing bathtub, and odd little gestures of civic life that keep the mood lively even when the stakes are high. The result is a story that feels grounded and imaginative at once. It offers suspense, but also warmth; mystery, but also the satisfaction of watching a capable person do difficult work with her hands. For anyone drawn to supernatural fiction with a lived-in setting, practical magic, and a quiet emotional center, this is a story that lingers because it understands something simple and true: sometimes the hardest thing to fix is the distance between people.

Reader FAQ about Fixing the Places Between Us

1

What is Fixing the Places Between Us about and who is the main protagonist ?

Fixing the Places Between Us follows Evie Park, a solitary, pragmatic plumber. When neighborhood pipes start exhibiting uncanny behavior—singing sinks and sentient puddles—Evie must choose between a safe cap or a risky communal repair that reconnects her block.

The supernatural appears as animate water phenomena—humming sinks, puddles that tidy lost items, and a film collecting small favors. These oddities subtly alter routines, shifting neighborly exchanges and prompting practical, hands-on solutions rather than mystical epiphanies.

Yes. The climax hinges on Evie’s plumbing expertise: precise torqueing, timed reseating of an aging valve, pump choreography and improvised bypasses. The solution is technical and physical, solved by skill, timing, and coordinated labor, not by a sudden insight.

Evie’s trade is the story’s central metaphor and tool: plumbing stands for mending social channels. Her hands-on skills drive plot mechanics and the climax, while the craft frames themes of responsibility, communal care, and the practical labor of connection.

Also by Orlan Petrovic

Ratings

5.86
111 ratings
10
9.9%(11)
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