The Bone Orchard
About the Story
In a decaying city of bell-trees and collected silence, a young bellwright named Eiran risks himself to reclaim his sister from a devouring seam that hoards voices. Dark bargains, hidden markets, and a moral choice between memory and mercy push him to sacrifice and reshape his craft, forging a fragile reckoning between loss and the stubborn persistence of sound.
Chapters
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Ratings
Reviews 5
I wanted to love this more than I did. The atmosphere and imagery are strong — the bone orchard, the milk-colored bell, the braided gut coil under Aelis’s head — but the plot felt a bit telegraphed. The moral choice between memory and mercy is set up early and then pretty much followed to expected beats, so the emotional payoff was undercut by predictability. Pacing also wavered: the marketplace and craft details are immersive, yet the seam’s mechanics and the rules of the Hush remain frustratingly vague where clarity would have helped the stakes. There are moments of real beauty here, but the story shies away from committing to the darker consequences it hints at; I wanted a riskier, less tidy ending. Still, good prose and a promising premise — it just didn’t quite follow through for me.
Technically impressive and remarkably controlled. The author uses the constraints of the setting — a city built on silence and bellcraft — to explore ethical stakes without resorting to literal exposition. Small choices (Eiran dressing his palms with oil, the gauge his master taught him to read, the halo being off) double as worldbuilding and foreshadowing. I appreciated how commerce is quiet commerce: vendors arguing without loudness, tokens stamped with the old sigil, rib-braids displayed like wares in a cathedral bazaar. The pacing is deliberate; scenes are allowed to breathe so the uncanny becomes normal rather than theatrical. The moral fork — memory versus mercy — is hinted at early and then earned by the end through Eiran’s craft, rather than tacked on. If you like dark urban fantasy that trusts its imagery and keeps its mysteries partly intact, this is a solid, evocative read.
Loved the weirdness here. The Bone Orchard is one of those stories that smells like old metal and rosemary (in a good way) and makes quiet feel dangerous. That line, “You move as if you mean to steal the dawn,” made me grin — sharp dialogue. The devouring seam that hoards voices? Chilling. The hidden market of bone-menders trading fused jawbone trinkets is so delightfully odd. Eiran as a bellwright who has to choose between memory and mercy is a premise that sticks. I want more scenes of him testing harmonics. Also, the Hush = nightmare fuel. Would read a sequel 😅🔔
I finished this in one sitting and kept thinking about the bone-trees for hours afterward. The image of that cathedral of removed teeth and the bell the color of old milk is going to stick with me — it’s gorgeous and quietly grotesque. Eiran is written with so much care: his tender, almost ritualistic way of oiling the clappers, braiding his ringer-thong, and the scene where he slides his hand under Aelis’s cheek (her head on that coil of braided gut) made me ache for both of them. The Hush is terrifying without being over-explained; its presence is felt in the market whispers and the boy who bared a finger where a sound had been taken. I loved how the story frames sacrifice as craft — the idea that reshaping sound can be both a skill and a moral risk. Heartbreaking, atmospheric, and strangely hopeful.
This is a deeply atmospheric piece that balances the intimate (a brother’s hand under his sister’s cheek) with the expansively uncanny (an orchard of bells hung on vertebrae). The prose is almost liturgical at times, which suits the bellcraft motif — rituals, gauges, haloes of tremor. The world feels lived-in: vendors who must whisper to avoid the Hush, sailors spitting on stones, little tokens stamped with the city’s old sigil. Those details ground the more fantastical elements and make the moral dilemma feel real rather than symbolic. I was especially moved by the way sacrifice is portrayed not as theatrical martyrdom but as a craftsman remaking his own trade — the notion of reshaping sound to reclaim a single human voice is quietly devastating. Aelis’s small gestures (hushing, whistling teeth that feed lamps) humanize the stakes. The only complaint — and it’s minor — is that I wanted longer stretches of Eiran working at the bells; the mechanics of the seam and the bargains could be stretched out into a novella. Still: evocative, mournful, and honest.