Confetti and Compromises

Maxine Redding moved through the city like a woman with a utility belt and a private weather forecast. A last-minute thunder squall could be rerouted to the park if she called the right vendor at the right time; a runaway flower cart could be intercepted by a retired bus driver she knew; a piano player who insisted on playing show tunes could be distracted with a bowl of the cafe’s saffron doughnuts. She did not possess supernatural powers. She possessed faster thumbs and a Rolodex with moral compromises penciled in at the corners.

That morning she was wearing her armor—slim black blazer, coffee stain strategically concealed, a planner the size of a small country tucked under her arm—and sprinting down Mercantile Lane toward the florist who had managed to send an entire order meant for a Saturday elopement to a Monday funeral. She barreled into a narrow shop where petals drifted in an elegant, depressing snow.

“Marisol!” Max barked, elbows angled in, voice equal parts stern and relieved. “Which family is getting the peonies?”

Marisol, a woman with a steady hand and a dramatic headscarf embroidered with tiny umbrellas (a city thing; the umbrellas were the unofficial emblem of the municipal “shade and drizzle” festival), waved a hand and squinted at a list.

“Rogers?” she said, brow arching. “No, that’s the wrong truck. Oh, no, everything’s labeled with stickers I can’t read—my cat sat on the labels.”

Max did not gasp; she constructed a plan instead. She grabbed a roll of masking tape, tore off enough to bind a broom handle to the back of a delivery tricycle, and deployed a local teenager who liked the tricycle’s futuristic horn. By the time she stepped back onto the sidewalk the tricycle was humming off to the funeral procession, a bouquet of peonies wobbling confidently in the rear.

Eli met her with a thermos of tea that tasted vaguely of lemon and exhaustion. He grinned like a boy who had found a coin in the gutter. “You’re spectacular in a crisis,” he said. “Also terrifying.”

“We’re all terrifying when someone is running out of time,” Max returned, rubbing her temples. “Which is why we do what we do.”

The city smelled like caramel from a street vendor frying sugared plantains and a far-off brass band practicing for noon. None of those things had anything to do with turning a wedding into a memory or an advertisement, but they were part of the city’s soundtrack, small cultural bones supporting everyday life. That sense of texture—saffron fritters on the corner, rooftop tea kiosks that served jasmine in chipped porcelain—kept Max grounded in reality, even as she spun other people's celebrations into ordered patterns.