Patchbay smelled of salt and mending thread. In the mornings the air carried the warm, oily scent of old gears and the faint sweetness of boiled sugar from the baker’s cart. Nets hung from lines like sleeping curtains, and when the tide came in the nets hummed—soft, low notes that fishermen said the sea taught them. Children listened to those notes like lullabies. Old Nora tended the nets and the small workshop at the end of a crooked lane. Her windows were full of jars with buttons, thimbles that once were bells, and spools of thread that glowed faintly in the dusk. On her workbench sat a small thing, neat as a pebble and clever as a fox. Pip's metal was polished where hands touched him often. His hands were tiny pincers and his chest was a patch of stitched leather. That patch held a small motor and a light that blinked like a curious eye. He could mend torn sleeves and stitch up sails. He stitched with a single, patient motion: thread through, neat knot, whispering hum. People said Pip could listen with the tip of his needle. He liked to sit on the ledge while Nora brewed tea and listen to the sea through the window. The sea's song was a ribbon that wrapped the whole village. It pulled at the nets and made the bells above the boats sing. That morning, Pip woke to a hush. The light was thin and the gulls moved as if searching for a missing rhythm. "Nora," he said, and his voice sounded like wind through a tin cup. Nora did not answer at once. She had her hands around something that had always been there: a spool of silver thread tucked inside the loom that sat by her bedside. The spool had been wound with a single line from which she repaired the nets with a stitch that seemed to pull the tune back into the weave. The spool—when the nets were mended with that silver thread—would ring together with the tide. Nora looked at her workbench and then at Pip. Her fingers trembled, not with age but with a worry that reached into the bones. "Pip," she said, and the word rolled like a small stone. "The spool is gone."