The city of Hearthbridge woke on a hinge. Steam sighed from grates like long, tired lungs; iron walkways rang faint counterpoint as street-cleaning automatons traced their routes with metronomic patience. Above the river, decks and terraces stacked like honeycomb, and brass balustrades caught the sun in angles that burned clarity into the morning. Ada Calder had learned to measure time by the way the light struck the gearwork outside her window: a slice of sunlight across a copper tooth meant the market had opened; a shadowed arc across her workbench meant the tide of the river‑wheels had changed. She lived three floors above the Horologicarium, in a narrow room filled with springs and glass jars and the warm musk of oiled cotton. A small banner of clock hands, all stopped at slightly different times to match their owners' memories, hung above her bed.
Ada's left hand was a thing of brass and hingework—an old war of bone replaced by a device that could pick a hair from an exploded mainspring or clamp a stubborn pivot without a tremor. She had made it herself over the better part of a year, in the exacting hours after the Horologicarium closed. When she slept, the hand would rest on her chest like a small, sleeping bird. When she woke, it would click into readiness and glow faintly where a row of tiny chronoscales shimmered under the skin of its plating.
Her trade was conservation: not the ragged, scrappy fixing of a sidewalk clock, but the careful, reverent repair of timepieces that kept family stories alive. Today she was finishing the restoration of a pocket chronometer belonging to a woman from the Lower Docks, a tiny thing that smelled of tea and wet rope. Ada's fingers—half flesh, half brass—moved with the slow, tender accuracy of a surgeon. She inhaled the bronze aroma of her bench, tasted the metal on her tongue, and listened to the hundred small heartbeats of ticking springs.
Down in the city, the Heartfurnace marked the day. It sat at the city's spine: a towering arc of copper and riveted plates that swallowed coal and breathed a rhythmic pulse into the chain of governors, valves and resonant tubes that threaded Hearthbridge like veins. The engineers called that pulse the Cadence. The Cadence made everything listen: airship chimneys exhaled in steady sequences; tram rails hummed; the solder in neon lamps cooled with precision. People spoke of the Cadence like a kindly, impartial god—a thing that could be trusted the way trust was given to an old friend. Ada had never worshiped gods, but she had learned to weave her life to the Cadence's contour until it felt like the backbone of every small ceremony she kept.