Space fiction
published

Gravity & Gaskets

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A tactician of gravity, Ivo Kest, is offered the career-defining installation of Marta Haan's axial-gradient engine on Spiral Slip. The project promises acclaim but risks destabilizing the microgravity gardens that feed the ring. When prototype harmonics threaten the structure, Ivo must use his craftsman's touch to steady both metal and community.

craftsmanship
community
engineering
space fiction
humor
gardens
ethical tech

The Offer

Chapter 1Page 1 of 43

Story Content

Ivo Kest liked to begin his mornings with a stubborn piece of metal and a question his palms could answer. Foundry Bay 7 was a place of soft noise and warmer smells: oil, ozone, and the vendor's toasted kelp cakes that folded a hint of sweetness into the grit of maintenance life. The vendor's cart was parked between a stack of spar-girders and a rack of fluorescent dampeners; every shift change someone bought a cake and ate it like a talisman. It was a trivial detail of the ring, irrelevant to axial gradients and engines, but it set the tone — people here measured small comforts as carefully as they measured torque.

Ivo crouched at his bench and cradled a micrograv actuator the way someone might cradle a wary animal. The instrument thrummed under his palm; he closed his fingers and let the hum translate into pressure, into the little muscular decisions he trusted more than any blinking readout. He had learned to feel phase in the flesh: a hesitation at the coil joint, a cool sidestep in the resonance that meant a misaligned shim. He loosened an imperceptible clamp with a practiced twist and slid a half-round gasket between two collars, coaxing the actuator back into the cadence he'd been trying to find since dawn.

'Polly, reach the half-round. The one with the nick.'

The wrench swung from its peg, personality patch bright enough to be embarrassing. Polly's voice was designed to be useful and offensive in equal measure; it whistled when it laughed. "You mean the one that thinks it's artisanal? Sure. I'll fondle it for you."

The apprentices in the corner snorted. Polly's quips were a brittle, homely thing that did an equal job of puncturing pomp and starting a punchline. Ivo didn't need pets or lectures; he had a tool that told jokes and a drone called Gus that treated spare parts like cat toys.

Gus, meanwhile, had found a spool of dampener wire and decided it was an ideal perch. The drone's micro-servos idled like a purring animal. When he shifted, washers spilled and performed a tiny, ridiculous polyrhythm before settling. A pair of gravity goats — the neighbor's novelty herd that often drifted past on a tether like reluctant balloons — bleated in time with the spill, which made everyone laugh. Absurdity and expertise shared a workbench on Spiral Slip; it felt like a mercy.

Tamsin came from the garden corridor carrying a crate of micro-salads arranged so the leaves bobbed like they were having polite conversations. She set the crate down and bumped Ivo's shoulder with a familiarity that had grown from years of handed tools and traded favors. "You always start with the animal and then fix the machine," she said, teasing. She smelled faintly of compost and citrus — a scent that meant gardens, stubbornness, and home.

He grinned, palms black with grease. "Someone's got to make sure the goats don't eat the dampeners."

The bench hummed with small victories as Ivo eased the actuator into a steady, pleasing pitch. Marta's arrival sounded like someone shutting a heavy cupboard: efficient, resonant, and unavoidable. He looked up with ragged, satisfied pride. Marta had been the one to call him a 'sculptor' in front of a crowd, and the name had stuck like oil on metal.

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