Amara Blythe kept her small rituals like prayer. The room she rented above the bindery smelled of wax and rain, because she never quite managed to keep the shutters closed on wet evenings and because the objects she stored in cedar boxes held dampness from other lives. Tonight she set out a saucer of cooled tea, smoothed a strip of linen across her lap, and unfolded the memory she had taken that afternoon—a compact thing, folded into the shape of a child's palm. It smelled of rain on iron, of coal dust, and something sweeter she could not name until she unwrapped it. Memories came like lifted songs: a chord in the chest, a rash of adrenaline at the base of her throat, and then the thing itself, stark and precise. Her hands were careful. Her fingers had learned to cradle what others could not keep.
When she bound a memory, she pulled it through the skin the way one draws a thread from a spool. The first tug was always the hardest: a sudden emptiness where a name had been, a hole that wanted to be filled. The man who had stood across from her in the bindery earlier—his grief was raw as flayed linen—had pressed both hands to hers and asked if his wife would ever be heavy on his chest again. Amara had smiled in the way of her trade, which was not consolation so much as a quiet, practiced transfer. She took what he could not bear and tucked it into herself. That was the rule. That was the oath. She would hold someone’s last aching memory and in return the living would be given air to breathe.
There was another rule, cruel and simple: once she took a memory, the face that belonged to it blurred from her. Names thinned into texture and then dissolved. Faces slipped as if seen through rain-smeared glass until only the echo of an expression remained. It was the price of kindness the city had asked of binders long ago. People called them Nightbinders in market rumor and children pestered mothers to tell them whether binders dreamed of other people's sons. Amara never told them the truth—that sometimes the forgetting tasted like loss in her own mouth, like a coin missing from a purse. That was the private part, the bit she never spoke aloud.