Echoes in the Brickwork

The Larkspur Orpheum exhaled dust when Alma Reyes pushed the side door with her shoulder. The hinge squealed, then settled, the sound ricocheting up toward the balcony like a small bird set loose. She stood in the cool foyer, breathing in velvet rot and old citrus from a crate of forgotten programs. Outside, gulls argued on the wires, and a salt breeze slipped through the cracked stained glass. Inside, the theater kept its own weather: chill rising from the orchestra pit, warm pockets near the ceiling where pigeons nested in the plaster roses.

Alma lifted the canvas bag off her back and knelt to unpack her kit. Recorder. Headphones. A thick coil of cable. She rolled the contact microphone in her palm until it warmed, then stuck it onto a strip of bare brick at the base of a column, sealing the edges with putty. The recorder’s meters fluttered like eyelids. Underneath street noise and faint music from a bakery radio, the wall hummed.

“Morning, Miss Reyes.” Mr. Ogden’s keys chimed before his boots. He appeared from the aisle, broom in one hand, a paper cup of tea in the other. His jacket was patched at both elbows; the patch on the left showed a little tugboat.

“Morning,” Alma said. She touched the headphones to one ear, then the other. “She’s breathing.”

“She’s tired,” he said, but there was a proud tilt to his chin. “End of the week, they say. Out with the old, cranes in by Monday. You’ll get your recordings?”

“If they don’t board me in,” she said, raising the mic to another brick course. The hum shifted, a faint comb of harmonics like a choir heard through a closed door. She pressed a palm to the wall and thought of tides under stone. “You sure it’s final?”

Mr. Ogden’s mouth went tight. “Developer wants it tidy before the gala. Says the new plaza will ‘open the waterfront for everyone.’ I suppose everyone means men in hard hats and donors with ribbons.” He sipped his tea. “Noreen was asking after you.”

“Ms. Vale? She remembers everything,” Alma said.

“She remembers the night no one else will speak of. Said if anyone could hear what the Orpheum kept, it’d be you.”

The contact mic caught a stray vibration—three notes rising and falling, as though someone hummed in the next room. Alma froze. The sound was thin, smeared by time, but she knew the tune from childhood picnics on the riverbank. “Hush, River, Hush,” her mother had sung when fog wrapped the masts.

“Do you hear that?” she whispered.

Mr. Ogden tilted his head, then shook it. “Ears aren’t what they were. You catch ghosts. I catch drafts.” He pointed his broom toward a corridor marked with a sagging chain. “No one’s been down there since they sealed it after the fire.”

Alma unwound more cable. The chain was a suggestion more than a barrier. Behind it, the paint had flaked to show older colors: a cheerful sea green under the more recent maroon, and under that, a patch of blue the exact shade of her father’s work shirt. She ran her fingers over it and felt silt-smoothed grit, the kind you get when bricks are made near a tide mill. She pressed the mic higher. The tune came again, fainter, with the dry rasp of old plaster moving.

“I’ll only be a minute,” she said.

“Famous last words,” Mr. Ogden grumbled, but he lifted the chain with his broom so she could duck under.