The Loom That Listens

By the tram yard, where the rails hissed in cold evening air and gulls wheeled over the river, Nika stood with her headphones pressed to one ear. Her recorder blinked a red dot. She loved the tiny clinks and sighs that cities made when no one was listening: a conductor’s whistle from blocks away, the slosh of a puddle under a car, the private throat of a pigeon. She tracked each sound by turning her body, turning the dial, the leather strap of the recorder warm against her palm from her own heat.

Under the known noises, something else smeared itself across the spectrum. She didn’t hear it first. She felt it in her teeth, a steady pressure that made her tongue taste like a penny. She pulled the headphones off. The tram bell rang two streets over, a clipped, honest sound. When she pressed the ear cup back, the pressure returned, soft and vast, a low note that had no source.

She checked the gain, changed the cable, moved to a different patch of cracked asphalt. The hum followed. It wasn’t the power lines. It wasn’t traffic. It nested deeper, as if the ground itself vibrated with a wordless vowel. The rails trembled faintly under her sneakers, or maybe she imagined it.

A driver leaned out of a tram and shouted, “You catching ghosts, girl?” and laughed when she lifted the headphones to show him.

“Just the gulls,” she called back.

On her way home, she cut along the river. The decommissioned flax mill rose across the water, windows punched out like missing teeth. For years it had lurked in the backdrop of her city, a multi-story block with a brick chimney and a skeletal conveyor that ran from the second floor to a gaping metal mouth above the loading dock. The sun had fallen; the building became silhouette. The taste of copper thickened. The hum was clearer here, woven under the lap of the river.

Nika tried recording a new sample. The red dot blinked. Through the headphones, the low tone settled with a steady patience, as if it had been waiting for her to arrive. She focused on a line of ducks, on the smell of wet weeds, on the steady push of water against a stone arch. The tone moved with none of those.

She pulled the headphones off and walked faster, watching her breath puff white. A boy on a bike zipped past with a plastic bag rustling from the handlebars. When she turned onto her street, the hum softened, but she could still feel it just behind her ears. At her building entrance, the old elevator stirred when she pressed the button; even it sounded honest. She told herself the low note had been an artifact—a trick of wind along the river—and forced a laugh when the elevator doors groaned like old men waking from a nap.