The Weave of Days

The Loomhouse sat against the old quay like a secret that had grown roots. Its eaves were heavy with woven banners and its windows were panes of polished memory, smoothed by hands that had combed the city for generations. People came to touch the Loomhouse as if it were a shrine: to feel a held sorrow ease, to imagine a lost face return for a breath. The great tapestry that filled the central hall was not merely cloth but a living map of the citys days, its warp and weft keeping the shape of things people needed to recall or forget. Whole lifetimes were stitched into its folds and tended by a guild sworn to careful mending.

Lira Maren had apprenticed there since she could lift the shuttle, and in the quiet hours she thought the Loomhouse was less a building than a slow creature. It inhaled with the movement of hands across the loom, exhaled when a seam was sealed; it slept in daytime sun and woke at dusk to walk across a room in threads of light. The Weave, the elders called it in half-speech, and there was a gravity to that name that made new apprentices bow a little longer than necessary.

She had come to the trade because it gave shape to the one thing that had no edges in her life: a hole in her own memory. When she was small she remembered a garden, or a riverbank, or perhaps a song whose shape could not be grasped. The recollection leapt away whenever she reached for it, leaving nothing but a tug of longing under her breastbone. The guild had taught her to use that hunger as focus, to let it drive the care she took with each repair. It was the small consolation that her missing past made her more exacting with other peoplesremembrances.

On the morning her life shifted, the Loomhouse moved through its familiar motions. Apprentices wove and steamed and braided, elders murmured old stitches. Lira breathed the scent of warmed fiber and the faint metallic tang of dyes. She was assigned a routine patch near the southern seam, a place where the tapestry bulged like the belly of a sleeping animal. She threaded her shuttle and bent close to the weave, eyes tracing the pattern where a procession of weavers and merchants had been woven in tiny, patient figures. The area should have been full of miniature faces and market stalls, but where her fingers met the warp there was a dullness, a place that wanted attention and refused it.

At first it felt like a lump under the skin of the Weave, an irregularity to smooth. Lira hummed the menders phrase under her breath as she worked, guiding the shuttle with the rhythm she had learned by rote. The shuttle jolted against a seam that trembled not with thread but with something far more fragile: an impression, a shiver of image that wanted to slip free. A pale mote rose from the gap like breath from a sleeping mouth and hovered between her palm and the tapestry. It was a wisp that smelled faintly of rain and hot bread, and when it unfolded its shape she felt her own breath catch.