The bell-smoke stuck to the back of Edda Varr's throat long after she left the furnace. It tasted of iron and coal and the small satisfactions of a thing well struck: a bell that didn't ring like a question but like a statement. She moved through the yard with the practiced gait of someone who could tell by the curve of a mold whether it would sing or wail; her hands remembered weights and angles she had stopped trusting her heart to. The shop was a narrow thing wedged between a tannery’s peeling awnings and the fishmongers who sold smoked cod with a candied peel that children in the quarter called “salty candy” and ate like aconite at festival time. That detail—odd, domestic—sat in her mind as unrelated comfort.
Corin was already at the anvil, forehead furred with dust, trying to convince a lump of bronze that it was, in fact, a bell. He had filched a paper cup of the forge’s bad coffee and declared it “black enough to scare sparks back into the coals.” He grinned when Edda shot him a look that ought to have set him right; instead he tipped the cup at her and said, “If sound had flavour, your bells would taste like bitter oats and regret.”
Edda snorted without amusement and returned to her bench. She weighed the ladles of molten alloy by feel instead of measuring—there were balances she could later teach Corin, but some parts of the craft were tasks of muscle, of knowing when the metal was ready because your shoulder ached in the same rhythm as the pour. She ladled the bronze into a small mold for a household toll-bell, the sort families bought for sendings when they wanted a precise, private sound. Mara Kett had ordered three the week before; Mara’s trade was for quiet rooms and steady hands over births and partings. The bell took the heat and settled, its surface going dull like a sleeping eye.
Sound drifted in odd directions here: the tannery boys whistled a discordant tune, the market’s roastbread huffed steam. Above it all the city’s weather performed its particular mischief—silt-rain that smelled of hot metal and river iron. People said the rain was a bad omen when it fell in threads rather than the usual stones, but to Edda it was just more grit in the forge. She brushed a hand across the bell’s rim and felt the faint prick of a dent; she corrected it with a careful tap that changed the note a millimeter at a time. The bell sighed. She liked the word “sigh” for small rings; it made them less like edicts from the seam.
When she worked, she kept a small copper ring tucked in the palm of her left hand. She rubbed it absentmindedly as if it were a metronome. It had belonged to Lysa. Edda did not speak the name aloud in the yard; names invited echoes and unwanted answers.