Ari woke to a very odd quiet. The birds were not singing the usual morning song; they were making soft, puzzled chirps, like someone had given them voices that forgot the words. For a moment Ari lay still and listened. The house smelled like the same toast and warm socks it always did, but something had shifted in the room—an invisible, gentle thing that made colors look sleepy.
Ari reached for the tin of crayons on the bedside table. The lid came off with a small click, and the crayons looked smaller and softer than before, as if someone had pressed them into a long nap. The red was more like a lazy rose. The blue was the color of a shallow puddle when the sun is hiding. Ari frowned. The pencil case, the poster on the wall full of dancing kites, even the bright sticker on the lamp looked as if someone had tucked the brightness into a pocket and zipped it away.
Down the hall, the front door was ajar. Ari padded barefoot across the wooden floor and peered out. The street outside had its usual cheer—bikes leaned against a fence, Mrs. Luma’s shop with its little striped awning sat on the corner, and the bakery sign bobbed gently in the breeze—but everything felt like watercolor that had dried a little too soft. Mrs. Luma herself stood by her window with a tray of tiny paint jars. She turned when she saw Ari and lifted a hand in a small wave, but from where Ari stood the jars shimmered like sleepy marbles rather than the bright candies they usually were.
“Morning, Ari,” Mrs. Luma called, and when she spoke her voice sounded the way the street looked: kind and a little puzzled. “Did you sleep all right?”
Ari shuffled outside and noticed the flowers in the row in front of the bakery. They were usually a bright riot—daisies and marigolds and a brave little sunflower that stuck out like a gold coin—but today each petal seemed to hold only a suggestion of color. Even the balloons tied to the bench by the playground looked as if someone had told them very nice things and then asked them to take a nap.